Autumn on the Eastern Shore
Oil on canvas, 10x10, $100
Texas treated me well, indeed. I had two good shows, met really nice, really friendly people, and saw beautiful sights all over the state.
But when I drove across the Chesapeake Bay Bridge-Tunnel and onto the Eastern Shore, I found myself letting out a whoop and holler of sheer, unadulterated joy. It wasn't only that I was heading home, to my husband and our dogs and our house and our friends, but that all of that was in this place that so delights and moves me.
Time and again, I drive onto the Eastern Shore and I am simply filled with gratitude that after living in all these places over all these years, Peter and I found our home. I've loved places where we've lived, but I have never felt so centered or so delightfully settled.
I took the photo below as I was driving that last stretch on my way home from Texas. I thought about stopping to paint, but I really wanted just to get home, to hug Peter, pet the dogs, and stop driving.
Much of the draw is our home, and our friends, the people, and Wachapreague itself. But I love the Eastern Shore as a painter, too. Partly, I think, I'm attracted to the simplicity of the landscape. Even more, though, is the light. With the Atlantic on one side, the Chesapeake Bay on the other, and virtually no air pollution at all, the light has a roundness, a golden color, and, often, a sort of brilliant, thin pink that warms everything it touches.
Above, the photo of the sorghum field I painted.
Below, three pix of the Eastern Shore I took on
Dog of the Day
Abby, Smokey and Woody having a good howl. You can hear Jojo howling in the other room.