Monday, August 3, 2009

In the Thick of It

Two paintings of fog. Top, "Mist," oil on canvas, 9x12, sold. Bottom, "6:15 This Morning," oil on canvas, 8x10, sold

The mornings I've been here, I've awakened to a white world outside the screens of the lake house.

A deep fog has fallen over the mountain across the lake both mornings, blurring the outlines of the trees, and erasing the presence of the mountain behind them.

It's hard to paint fog - or at least, it's hard for me. I'm sure there's some shortcut to painting fog. All I know is that I've been experimenting, finding some stuff that works and some that doesn't. The painting at the top is the one I like better. I made the painting first - and it was a good painting of a deep, shadowed, piney forest. Then I scraped the paint off, and went back over the ghost image with some bluish-white paint.

It's incredibly liberating to scrape off what you've just painted - and know that that's part of the process.

So painters, is there a known way to paint fog in plein air? I'd love to know!

No comments: